Emporium Presents, Alice 105.9, & Pro Events
Alice 105.9 Presents: “Alice in Winterland”
The Fray
Dasha
Thursday, December 5, 2024
Doors: 6:30 pm / Show: 7:30 pm
Fillmore Auditorium
Denver, CO
Benson Boone
For Benson Boone, Fireworks & Rollerblades contains numerous meanings. Not only does the title of his debut album come from one of his favorite lyrics on the record, but it also captures the 21-year-old’s meteoric rise.
“The last two years of my life, after writing music and releasing music, have happened so fast, and it’s so unexpected for me,” Boone says. “I never really thought this would be what my life would look like two years ago. It’s taken off really fast, and it just reminds me of fireworks tied to rollerblades, like a rocket ship taking off.”
Growing up in Monroe, Washington, Boone didn’t know what he wanted out of life besides having a job that felt as fun as it did fulfilling. After family dinners, his parents would play the “Hooked on a Feeling” Pandora station for him and his sisters, introducing the young boy to artists like Billy Joel, Aretha Franklin and Earth, Wind & Fire. As he would get older, he would be drawn to big-voiced modern artists like Adele and Sam Smith.
“The main similarity between all the artists that I grew up listening to was that their voice was the main instrument,” he explains. “I took that into consideration when I started writing my own music. It’s ingrained in me to have a big voice and go for notes that people don’t usually go for and make something that people don’t usually hear, because that’s what I grew up listening to.”
It wasn’t until his junior year of high school, in 2019, when he learned he could sing like his heroes. His friends asked him to perform in a battle of the bands competition, setting Boone on a path to eventually pursuing music full time. A few years later, Imagine Dragons frontman Dan Reynolds would take Boone under his wing, inviting the budding talent out to Las Vegas and eventually signing him to Night Street Records in partnership with Warner Records.
Boone has been in the studio for the last two years writing, recording and figuring out his musical identity. He has released two EPs and cracked the Hot 100 with his debut single “Ghost Town.” No session in the studio was done with the intention of an album, until he wrote “Hello Love” and the lyric, “I could try to save you but my mind ain’t safe/Like two fireworks tied to a rollerblade.” Once he had a name, Boone’s debut started to finally form.
“I wasn’t writing these songs to fit a certain sound or fit a certain thing, and that’s why I love it so much,” he says. “This album is a compilation of songs that feel the truest to me and songs that I love the most. That’s really all I wanted for this album. You only get one first album.”
Over half the songs were written with songwriter Jack LaFrantz, who has become one of Boone’s best friends. “He has made songwriting and being in the studio such a pleasure to me,” the singer says. Producers Jason Evigan, Evan Blair, Jason Suwito, Captain Cuts and Malay were also part of the process in creating this powerful set of music, that captures Boone’s astute pop ear and penchant for an in-your-face sonic gut-punch.
“Something that I truly do believe is that I can write a good song, but I know that with the people that are on this album, if I start an idea, or if I can’t think of something, I know that I can make something even better with them,” Boone praises his associates. “I’m grateful for everyone that was a part of this album.”
With LaFrantz and Blair, Boone wrote “Beautiful Things,” a single that has completely helped his rocket ship of a career go to the moon. Released in January, “Beautiful Things” has become a Number One hit around the globe, peaking at Number Two on the Billboard Hot 100 and spending several weeks at Number One on the Billboard Global 200 chart. Boone had been teasing the song on TikTok, and it debuted in the Top 20 its first week. At the time, that was already one big dream come true. He couldn’t even comprehend the song’s success until he recorded an acoustic version of the hit and listened back to it for the first time.
“It really is unfathomable for me…I can’t even begin to comprehend that 420 million people only on Spotify alone have streamed that song. I’m so honored to feel heard, and to feel like my emotions mean something to people, and that people are understanding what I’m saying.”
Though it was written with one person in mind, “Beautiful Things” now encompasses everything and everyone he’s grateful for at this point in his ascent. “Now it’s about my whole life and career and the song and the people that I’m singing it to and my family,” he says. “It helps me think of the people and the things that I’m most grateful for and that I could not live without.”
Boone followed up his breakthrough hit with another killer track, “Slow It Down.” The soulful song starts off mellow before picking up into a heavy rocker by the end. “I have a veryfast-paced mindset, and I’ve always been pretty impatient,” the songwriter says. Sometimes it benefits me and sometimes it definitely does not. ‘Slow It Down’ to me is about taking your time and not overthinking things, just being in the moment and being present. That’s very true to who I am, what I stand for and what I want to be.”
For him, the biggest single on the album may still be yet to come. “Cry” is an unusual song for Boone. The song is inspired by an experience he had with someone in LA, diverging from the love songs he usually pens. Like he did with “Beautiful Things,” Boone has been teasing the song on TikTok and it has quickly become a fan-favorite leading up to the album’s release.
One song that may end up being a live favorite is the simple piano ballad “Love of Mine”; it is one of the tracks he is proudest of. Boone penned the song in an hour and a half, describing the experience as so “natural.” He wrote it while imagining himself getting older and looking back on someone who loved him.
“I’m more proud of these songs than anything else,” says Boone, who is currently touring North America ahead of sold out dates around Europe and Australia. “There’s a lot people do not know about me and things that they never will know, but the things that they do know are in these songs.”
The Fray
When The Fray first burst onto the scene in the early aughts, the Colorado-bred band introduced the world to a profoundly life-affirming form of alt-rock: timeless but inventive, arena-sized in scope but firmly rooted in raw emotion. Over the coming decades, their soul-searching songwriting and high-powered sound led to earning four Grammy Award nominations, scoring a multitude of Billboard top 10 hits, and amassing a passionately devoted worldwide fanbase. On their first new
body of work in ten years, vocalist/guitarist and primary songwriter Joe King, guitarist Dave Welsh, and drummer Ben Wysocki continue the band’s formidable legacy following the 2022 departure of former frontman Isaac Slade—all while uncovering entirely new dimensions of their artistry. Named for a joyful declaration shouted out by a fan at a recent live show, The Fray Is Back finds King stepping into the role of lead singer and joining Welsh and Wysocki in launching a bold new chapter for the globally beloved band.
Arriving ahead of the 20th anniversary of their four-times-platinum debut album How to Save a Life—a 2005 LP whose title track spent 58 weeks on the Billboard Hot 100—The Fray Is Back emerged from a highly collaborative process propelled by unbridled exploration, beginning with all three members working remotely in their respective cities. “We didn’t start out with any definitive
expectations for this new material,” says King. “We were just sharing ideas with each other and going on our own journey with the songs, and it became a unifying force that gave us new purpose and direction.” In a particularly monumental shift, the EP marks the first time that King (the band’s
longtime lead songwriter) has personally delivered his deeply introspective lyrics. Co-produced by The Fray with Andrew DeRoberts (Fitz and the Tantrums, Zac Brown Band), Ryan Linvill (Conan Gray, Chappell Roan), and Joe London (Thomas Rhett, Bailey Zimmerman), the six-song effort ultimately echoes the newly revitalized creative energy the band brought to each track. “Before our
hiatus there was a sense that we didn’t need to fix what wasn’t broken, so we weren’t necessarily adding new fuel to the fire,” says Wysocki. “This time we were working in a completely new way where we allowed ourselves a lot more freedom, and it felt so fun and empowering—almost like a collaborative art project, which is really what this band has always been.”
In an auspicious start to The Fray’s new era, The Fray Is Back opens on the driving grooves, shimmering textures, and gilded guitar tones of “Angeleno Moon”: a soulful and soaring anthem that strikes a potent balance of dreamy nostalgia and forward-looking urgency. “I used to live in L.A. and
went back to visit and ended up spending a morning walking around my old neighborhood,” says King, who now lives in Nashville. “All these memories came flooding back to me, and at some point I looked down and saw the words ‘new beginnings’ painted on the sidewalk—it felt like some sort of
sign, and the song started to come together from there.”
All throughout the EP, King reveals his gift for transforming the subtlest moments into songs with tremendous emotional impact. Sparked from a chance encounter in a coffee shop, “Same Thing” offers a bracingly honest look at struggling to break free from self-limiting patterns. Next, on “Not Now,” The Fray bring fluttering piano melodies to a heavy-hearted meditation on fractured
relationships and the passage of time. “Years ago in New York City I drank a bottle of wine with some people who were very close to me, and afterward we decided to write down our hopes and put them in the bottle to read ten years later,” says King. “Now life has changed for all of us, and I still have that bottle in my garage and don’t know what to do with it. ‘Not Now’ came from that experience and from asking, ‘What do you with the dreams you once shared with someone else?’”
From there, the EP takes on a euphoric mood as “Don’t Look Down” channels the pure joy of true connection, then slips into wistful reminiscence on the folk-tinged storytelling of “Time Well Wasted.” Finally, on “Known You Always,” The Fray Is Back closes out with a piano-driven reflection on loss, acceptance, and the way certain people leave an indelible imprint on our lives.
Known for their exhilarating live performance, The Fray look forward to watching their new songs come to life onstage in a national headline tour kicking off this fall. “A lot of the time when we talk to fans, we hear such intense stories about how our music has affected them,” says Welsh. “Every time we play a show, we try to present as though it’s just for those people, and really honor that bond that they feel with us.” And with more new music on the way soon, the band partly views their latest output as the product of an unshakable dedication to their audience. “There’s no way for us to make the first album again, because we’re not the same people anymore—so much time has passed, and so much life has been lived,” says Wysocki. “But what we can do is stay open and keep paying
attention to the world around us, and hopefully create something meaningful for all the people who care about this band as much as we do.”
Additional Information
Ages: All Ages
Seating: General Admission & Reserved Balcony